Taking Comfort in the Familiar

I know it's cliched, I know it's the epitome of corny, I know it's so melodramatic that it serves as the basis for two more movies, and who knows how many references within movies (even I don't dare try to calculate that one), but I simply love 'An Affair To Remember.' I love the elegance of Deborah Kerr, who sits and stands so straight--her grandmother used to make her lie on the floor for hours to ensure good posture--yet always seems so comfortable; and of Cary Grant, who manages to look elegant even when he's doing somersaults and cartwheels (if you haven't seen 'Holiday' and 'Monkey Business,' rent them immediately, if only for the acrobatics). The two of them have such excellent chemistry in this film, easily playing off of each other's quick and easy conversation without missing a beat. And I have a soft spot for the back story, too. The writer and director, Leo McCarey, had originally made the film 'Love Affair' with Irene Dunne and Charles Boyer, one of the few silent film stars to successfully transition into talkies; and while the script is nearly identical to 'Remember,' and the actors performed well, they can barely capture the ghost of the charm of Grant and Kerr.

Here's a link to a YouTube video with some of my favorite moments from 'An Affair To Remember.' Try to ignore the music, since it just doesn't seem to fit, but don't blink lest you miss a moment of the gloriously understated interactions of these two splendid actors.