20 April 2008

Sweeney Todd

Tim Burton jaunts gaily along the fine line between genius and insanity in 'Sweeney Todd', and one must admire the way he makes you want to come along for the ride.

Adapted from the Broadway musical of the same name, Burton and actor Johnny Depp pair for their sixth film together, bringing the vengeance-driven barber of Fleet Street to DVD earlier this month. Just as delightful as Depp and Burton is the supporting cast of Alan Rickman as the villainous Judge Turpin and Helena Bonham-Carter as the frugal Mrs. Lovett, who turns Todd's victims into the best-selling meat pies in London.

Depp and company sing the music by Stephen Sondheim, who was a consultant on the project during filming. The score has left many other experienced professionals tripping over words and struggling to keep up, but Depp manages well enough in the role of Todd. He exhibits a mild range but an impressive emotive element blended with superb acting. Where some might focus too much on Sondheim's tongue-twisting lyrics or difficult tunes, Depp finds a happy equilibrium between both. Helena is not as lucky; her struggles with the score leave you cringing in front of your DVD player. Her priceless comedic comedic timing saves her more than once. She's not a singer, but she's a fine actress. Rickman is perfectly despicable in every way. If you don't love to hate him by his second scene, you should check your pulse.

Burton's color palette in the film disappoints in its similarity to 'Sleepy Hollow', his 1999 film also starring Depp. Both films are steeped in grays and blacks, even during the "sunny" scenes, with little variation or exception. What is new in 'Todd' is the use of blood. The bright reds and striking maroons flow and fly like living creatures, sometimes helped by the miracle of computer-generated images. Yet somehow in the middle of this bloodbath, Burton gets you to root for Todd to "have his revenge," even as you cringe at each thudding crack of bones from the bodies he sends down the chute into Lovett's baking room. And in this mad killing spree, Burton still finds moments of humor that fit in remarkably well with the ludicrous-yet-reasonable story line. Insanity never looked so appetizing.

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